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HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 68, 1836 1847 sculture reworks them to create an reworks them to create an original vision full of poetic meaning The lines are painted with a brush while rotating the piece on the lathe: a simple decoration typical of everyday Japanese folk ceramics ” an expression that reflects the Japanese view that Korean embassies came to pay homage to the Tokugawa court New York: https: www
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