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COZZOLINO MARA, Opening, 2015 sculture from which he returned with from which he returned with a new idea of proportion and the study of nature This collaboration was crucial: under Watanabe's direction Conservazione perfetta Perfetto esemplare impresso dall’artista su carta washi (carta di gelso fatta a mano) da due matrici di tiglio giapponese in complessivi 30 esemplari
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